In 1925, the International Exhibition of Modern Decorative and Industrial Arts was held in Paris, which actually marked the beginning of the Art Deco style (abbreviated from the part of the French name of the exhibition Arts Decoratifs - decorative art); we should also pay attention to the participation of the United Kingdom and the United States in this exhibition.
The stands of Great Britain were not popular with visitors, as the art and interior items on display there were, in fact, obsolete and dull alterations of the Victorian Arts and Crafts Movement.
The US stand was absent as a class: the most technologically advanced power of that time was tightly concentrated on the construction of skyscrapers, while interior design became significantly more conservative. Thus, the interior design of Britain and the USA in the 1920s was largely determined by the trends of continental Europe, where the ideas of Modernism were developing, which, by the way, influenced the Art Deco of the 30s.
Streamlined shapes, synthetic materials, chrome-plated parts… However, in both these countries, interior industrialists and designers did not understand the new trends (or their meaning), and therefore hindered the development of design. The first half of the 1920s in the interior world of these countries was marked by the adaptation of historically established forms to modernity.
But not everything was so neglected. The interiors of the United States, although conservative, have been seriously transformed by technological breakthroughs. The style of interiors and furniture has become simpler and more geometric, new materials (chrome, plastic, glass of new types) and rich textures have been extensively used. Concealed lighting was often used.
Interestingly, the design from the cinema environment was especially fashionable: contrasting tones and textures for black-and-white film, dramatic forms ... Of course, it was not without the influence of European modernism, especially in the 30s.
The British realized the inevitability of a transformation of styles around the end of the 1920s, when many designers began to adopt Modernist techniques and ideas (that is, they were able to sell them to the general public). White walls and floors, mirrored walls (especially!), carpets with abstract patterns have become especially fashionable elements. Let's take a closer look at this interesting epoch from the point of view of evolution.
Fashionable interiors of that time began to abandon wallpaper in favor of uniform painted walls. By the early 30s, the most popular interior design option was the completely white color of the walls, floor and ceiling; sometimes the walls had a light texture. Geometric shapes made of moldings, paint or wood were used in the design.
In the late 20s, metallic paints became fashionable, silver was the favorite here. Fireplaces and doorways were decorated with plaster, sometimes a plaster sculpture was placed right in the middle of the wall. Frescoes have returned to fashion, especially full-length fake landscapes or abstract compositions. The mirrored walls mentioned above (finally, there is a strong enough glue for them!) they tinted them with different colors and put drawings on them.
Ceilings in fashionable houses were often vaulted, so that the wall and ceiling were one continuous whole. Subsequently, the ceiling was either painted to match the color of the wall, or in a contrasting color. If wood was used in the interior or the task was to bring a share of classics, the ceiling could be equipped with wooden decorative beams or moldings. In other cases, the ceiling was rolled up in a uniform tone, often glossy. The sockets have gone into oblivion.
The decor of the floors has become geometric. Carpets of regular shape or with geometric patterns could be used. The most exclusive solution was a carpet for the entire floor. The standard option was light parquet with patterns of varying complexity, from herringbone to fancy combinations. Linoleum was very popular: either mosaic linoleum or linoleum "tiles" were used in different coating options (for example, marble). These tiles could also be laid out to form intricate patterns. Chess, by the way, has not lost its popularity – now it was used with carpets suitable in shape and tone. Ceramic tiles were rarely used, with the exception of houses with designs in the styles of the last century.
The situation with fireplaces is interesting. De facto, they were not used to give off heat, but turned into an interior decoration and acquired a look that is generally used to this day. The design of the fireplace was reduced to a simple rectangular hole decorated with metal (mostly chrome), around which the sculpture of the hearth was built – simple and elegant. Often the hearth was a large piece of smooth stone. Ornaments were rarely used, but metal was much more common, both glossy and matte. If tiles were used, they were mostly beige. Again, more classic interiors might have fireplaces with a light Robert Adam pattern or the Arts and Crafts Movement, while more modern homes preferred simple, geometrically refined, sometimes asymmetrical fireplaces with extensive use of glass and metal.
Built-in furniture, which has been gaining popularity since Edwardian times, has become truly fashionable: even in homes where space savings were not so critical, designers tried to dispose of furniture "technologically." Most often, bookshelves were "built in" around the chimney of the fireplace. In the bedrooms, one of the walls was allocated for built–in furniture: in the middle there was a dressing table behind the door, and on the sides there were dressing rooms. Laminated wood was used with might and main. Combined furniture was used (for example, an armchair with a shelf). In general, everything that moved out, shifted, or hid was extremely popular, especially in the kitchen.
After the quiet revolution of the Edwardian bathroom, the movement towards the future has become more evolutionary. The bathrooms hadn't changed much by then, but they had become more compact. Glass shower cabins were a luxury; in ordinary bathrooms, the shower was located above the bathtub. The fashion for a paw bath has passed, now the bath was either built in or enclosed in a rectangular container, which was often lined with tiles or decorative panels.
Plumbing fixtures acquired streamlined, clean shapes, and were often chrome-plated. However, unusual crane shapes (for example, octagonal ones) have also become widespread. Faucets began to be used more often. The toilet tank was lowered almost to the modern level. In rich houses, the bathroom could be decorated with frescoes, and the baths were exquisitely decorated (sometimes mosaics were used on the inner surface).
There was more metal in the bathroom as a whole: for example, a sink console was made of steel, as well as heated towel rails and hangers. The hoses were mostly rubber. Water softeners began to become fashionable – soft water was considered beneficial for health and skin.
What do you need to create a bathroom interior in the style of the 1930s?
Firstly, we work more with shapes and volumes than with colors or materials. A deliberately "plump" sink on a metal thin-legged console, taps and faucets of complex shape, an enameled (or acrylic / quartz) bathtub in a streamlined frame will do.
Be sure to use a heated towel rail, at least an electric one. The metal, of course, is chrome, and the plumbing is either white or contrasting. This particular style can be very beneficial to use black plumbing. Although I met a pink one once, it's nothing either.
Try to place a bathtub or shower stall in a niche; in general, do not hesitate to work with niches. Place an octagonal tile on the floor, or work with floor tiles in some other way to create geometric patterns.
Give more glass and feel free to tint or color it. Try to round the corners, including at the joints of large surfaces. An excellent solution would be a doorway, niches, a mirror and a pattern on the walls with the same shape of the upper edge (for example, a semicircle).
The colors can be very diverse, but the most popular options will be completely white and white with contrasting black inserts and edges. However, there are no restrictions on color solutions: you can roll up the bottom in green tiles, and the top in yellow metallic.
In general, the specifics of the style are the Hollywood chic of the 30s, captured on black and white film. New players can use the melbet promo code and get a ৳12000 bonus on sports or 450% casino offer. Valid in Bangladesh. As well as being home to an impressive sportsbook and online casino, Melbet is also known for its generous bonus offers and promotions, which are available to both new and existing users. This is an ongoing bonus offer and is in addition to the welcome bonus. Simply top up your account via the Sticpay payment system (the minimum required deposit is $5 (USD) or currency equivalent.
The stands of Great Britain were not popular with visitors, as the art and interior items on display there were, in fact, obsolete and dull alterations of the Victorian Arts and Crafts Movement.
The US stand was absent as a class: the most technologically advanced power of that time was tightly concentrated on the construction of skyscrapers, while interior design became significantly more conservative. Thus, the interior design of Britain and the USA in the 1920s was largely determined by the trends of continental Europe, where the ideas of Modernism were developing, which, by the way, influenced the Art Deco of the 30s.
Streamlined shapes, synthetic materials, chrome-plated parts… However, in both these countries, interior industrialists and designers did not understand the new trends (or their meaning), and therefore hindered the development of design. The first half of the 1920s in the interior world of these countries was marked by the adaptation of historically established forms to modernity.
But not everything was so neglected. The interiors of the United States, although conservative, have been seriously transformed by technological breakthroughs. The style of interiors and furniture has become simpler and more geometric, new materials (chrome, plastic, glass of new types) and rich textures have been extensively used. Concealed lighting was often used.
Interestingly, the design from the cinema environment was especially fashionable: contrasting tones and textures for black-and-white film, dramatic forms ... Of course, it was not without the influence of European modernism, especially in the 30s.
The British realized the inevitability of a transformation of styles around the end of the 1920s, when many designers began to adopt Modernist techniques and ideas (that is, they were able to sell them to the general public). White walls and floors, mirrored walls (especially!), carpets with abstract patterns have become especially fashionable elements. Let's take a closer look at this interesting epoch from the point of view of evolution.
Fashionable interiors of that time began to abandon wallpaper in favor of uniform painted walls. By the early 30s, the most popular interior design option was the completely white color of the walls, floor and ceiling; sometimes the walls had a light texture. Geometric shapes made of moldings, paint or wood were used in the design.
In the late 20s, metallic paints became fashionable, silver was the favorite here. Fireplaces and doorways were decorated with plaster, sometimes a plaster sculpture was placed right in the middle of the wall. Frescoes have returned to fashion, especially full-length fake landscapes or abstract compositions. The mirrored walls mentioned above (finally, there is a strong enough glue for them!) they tinted them with different colors and put drawings on them.
Ceilings in fashionable houses were often vaulted, so that the wall and ceiling were one continuous whole. Subsequently, the ceiling was either painted to match the color of the wall, or in a contrasting color. If wood was used in the interior or the task was to bring a share of classics, the ceiling could be equipped with wooden decorative beams or moldings. In other cases, the ceiling was rolled up in a uniform tone, often glossy. The sockets have gone into oblivion.
The decor of the floors has become geometric. Carpets of regular shape or with geometric patterns could be used. The most exclusive solution was a carpet for the entire floor. The standard option was light parquet with patterns of varying complexity, from herringbone to fancy combinations. Linoleum was very popular: either mosaic linoleum or linoleum "tiles" were used in different coating options (for example, marble). These tiles could also be laid out to form intricate patterns. Chess, by the way, has not lost its popularity – now it was used with carpets suitable in shape and tone. Ceramic tiles were rarely used, with the exception of houses with designs in the styles of the last century.
The situation with fireplaces is interesting. De facto, they were not used to give off heat, but turned into an interior decoration and acquired a look that is generally used to this day. The design of the fireplace was reduced to a simple rectangular hole decorated with metal (mostly chrome), around which the sculpture of the hearth was built – simple and elegant. Often the hearth was a large piece of smooth stone. Ornaments were rarely used, but metal was much more common, both glossy and matte. If tiles were used, they were mostly beige. Again, more classic interiors might have fireplaces with a light Robert Adam pattern or the Arts and Crafts Movement, while more modern homes preferred simple, geometrically refined, sometimes asymmetrical fireplaces with extensive use of glass and metal.
Built-in furniture, which has been gaining popularity since Edwardian times, has become truly fashionable: even in homes where space savings were not so critical, designers tried to dispose of furniture "technologically." Most often, bookshelves were "built in" around the chimney of the fireplace. In the bedrooms, one of the walls was allocated for built–in furniture: in the middle there was a dressing table behind the door, and on the sides there were dressing rooms. Laminated wood was used with might and main. Combined furniture was used (for example, an armchair with a shelf). In general, everything that moved out, shifted, or hid was extremely popular, especially in the kitchen.
After the quiet revolution of the Edwardian bathroom, the movement towards the future has become more evolutionary. The bathrooms hadn't changed much by then, but they had become more compact. Glass shower cabins were a luxury; in ordinary bathrooms, the shower was located above the bathtub. The fashion for a paw bath has passed, now the bath was either built in or enclosed in a rectangular container, which was often lined with tiles or decorative panels.
Plumbing fixtures acquired streamlined, clean shapes, and were often chrome-plated. However, unusual crane shapes (for example, octagonal ones) have also become widespread. Faucets began to be used more often. The toilet tank was lowered almost to the modern level. In rich houses, the bathroom could be decorated with frescoes, and the baths were exquisitely decorated (sometimes mosaics were used on the inner surface).
There was more metal in the bathroom as a whole: for example, a sink console was made of steel, as well as heated towel rails and hangers. The hoses were mostly rubber. Water softeners began to become fashionable – soft water was considered beneficial for health and skin.
What do you need to create a bathroom interior in the style of the 1930s?
Firstly, we work more with shapes and volumes than with colors or materials. A deliberately "plump" sink on a metal thin-legged console, taps and faucets of complex shape, an enameled (or acrylic / quartz) bathtub in a streamlined frame will do.
Be sure to use a heated towel rail, at least an electric one. The metal, of course, is chrome, and the plumbing is either white or contrasting. This particular style can be very beneficial to use black plumbing. Although I met a pink one once, it's nothing either.
Try to place a bathtub or shower stall in a niche; in general, do not hesitate to work with niches. Place an octagonal tile on the floor, or work with floor tiles in some other way to create geometric patterns.
Give more glass and feel free to tint or color it. Try to round the corners, including at the joints of large surfaces. An excellent solution would be a doorway, niches, a mirror and a pattern on the walls with the same shape of the upper edge (for example, a semicircle).
The colors can be very diverse, but the most popular options will be completely white and white with contrasting black inserts and edges. However, there are no restrictions on color solutions: you can roll up the bottom in green tiles, and the top in yellow metallic.
In general, the specifics of the style are the Hollywood chic of the 30s, captured on black and white film. New players can use the melbet promo code and get a ৳12000 bonus on sports or 450% casino offer. Valid in Bangladesh. As well as being home to an impressive sportsbook and online casino, Melbet is also known for its generous bonus offers and promotions, which are available to both new and existing users. This is an ongoing bonus offer and is in addition to the welcome bonus. Simply top up your account via the Sticpay payment system (the minimum required deposit is $5 (USD) or currency equivalent.